For nearly three seasons, Showtime’s lush,
mesmerizing, and beautifully acted Penny Dreadful focused on a choice between submission and self-determination. The show’s female
protagonists, Vanessa (Eva Green) and Lily (Billie Piper), were singular portraits of women struggling to take
control of their destinies, standing up to their abusers and demanding to be
treated as equals. But while the audience rooted for their heroines, finding
empowerment in their struggle, the show’s finale demolished its female
protagonists, leaving them on their knees at their abusers’ feet and
invalidating all that came before.
Recent Posts
Sunday, June 26, 2016
On the Disempowering Demise of Penny Dreadful
by
Polina
Tagged as:
feminism,
horror,
Penny Dreadful,
religion and atheism,
spirituality,
television
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Sunday, February 7, 2016
Hymn for the Weekend, or Bowie Does It Right
by
Polina
So I finally watched that Coldplay/Beyonce video that apparently
everyone but me is talking about, Hymn for the Weekend. I won't bother
linking to it. Apparently, some people are complaining that Beyonce is
appropriating Indian culture, and others say a Black woman can't engage
in cultural appropriation.
So fine, here's my two cents (Canadian, so their value is negligible). Beyonce might be Black, but she is still a representative and beneficiary of America's cultural colonialism - so of course she can and does engage in cultural appropriation in this video. But that's not what people should be worried about.
So fine, here's my two cents (Canadian, so their value is negligible). Beyonce might be Black, but she is still a representative and beneficiary of America's cultural colonialism - so of course she can and does engage in cultural appropriation in this video. But that's not what people should be worried about.
Tagged as:
cultural appropriation,
David Bowie,
human rights,
music,
Native cultures,
world politics
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0
comments